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MONSTERS
AND HEROES
Zip Caplan and Cast of Thousands
Silver
Bullet Records
If you
watched much kids' TV programming at all in the '50s and '60s you
were sure to see plenty of two things: monsters and heroes. Besides
the late night weekend chills of Shock Theater, baby boomers also
thrilled to afternoons of adventure with western, jungle and crime-fighting
heroes. Another, even more influential entertainment force for that
generation was the still-young musical phenomenon of rock and roll.
Zip Caplan was obviously heavily effected by all three of these
irresistible forces of that time as witnessed by his new CD entitled
MONSTERS AND HEROES which presents music from classic
horror and adventure productions performed using electric instruments.
It's an interesting blend of subjects and styles and a real treat
for fans of monster and muscleman movie music.
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The CD
starts off fittingly with an electric guitar version of the Universal
Pictures fanfare, followed by the creation music from BRIDE
OF FRANKENSTEIN. Just when you are wondering if mixing Franz
Waxman and rock instruments is a good idea, the music segues into
BRIDE's stirring march music which accompanied the
villagers' pursuit of the Monster. Caplan and co. make the piece
sound as if it had been written with the electric guitar in mind.
The new rock arrangement gives the music an interesting edge while
still retaining the original spirit. From that point on I was hooked.
Although horror fans most strongly identify Tchaikovsky's Swan
Lake with DRACULA, it also served as the opening
music for some other early Universal horror films. Here it begins
the suite from 1932's THE MUMMY which probably contains
the first re-recording of some of the film's sparse but effective
background music. Other Universal music includes a bluesy rendition
of the SON OF DRACULA titles, a MUMMY'S
HAND suite (which is basically an up-tempo version of SON
OF FRANKENSTEIN) followed by a sort of Les Paul version
of that happy little ditty Universal used to tack on to their end
titles in the forties. A frustratingly short but moody selection
from THE WOLF MAN sets the stage for an enthusiastic
version of the "Festival of the New Wines" number from FRANKENSTEIN
MEETS THE WOLF MAN complete with faithfully done vocals
and even a recreation of Chaney's angry outburst at the end. Also
featured in the monster category is the GODZILLA
theme and a lively interpretation of the sacrificial ceremony from
KING KONG.
The hero
portion of the CD includes the rousing theme from THE ADVENTURES
OF SUPERMAN TV show, as well as music from the classic Max
Fleischer cartoons, and a fun version of MIGHTY MOUSE.
There's also a rollicking jam built around the title music from
TARZAN FINDS A SON (and many other Tarzan films, although
it was originally the title music for TRADER HORN).The
disc steps briefly into the funky '70s with the title music from
ENTER THE DRAGON, the comic book-like adventure starring
the almost super-human Bruce Lee, one of the final stars to capture
the imagination of action film fans of the baby boomer years. The
remainder of the music is of the western hero variety so it lends
itself quite naturally to the guitar. Tracks include cues from THE
LONE RANGER TV show and serials, ZORRO'S FIGHTING
LEGION and, one of the highlights of the CD, an expanded
version of the theme from THE CISCO KID. Even though
we've already heard variations on it in an earlier track, the CD
concludes with a wild performance of the William Tell Overture,
better known to generations of kids as THE LONE RANGER
theme, with a slight Latino flair thrown in.
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The tracks
randomly alternate between monster and hero selections. If this
had been released in the days of vinyl records, the music might
have been divided by genre on sides A and B of the album. It might
have played better that way too. You may find yourself programming
your CD player to group all of the horror music together for a more
consistent flow. Also, the slavishly accurate vocals on some of
the tracks are slightly at odds with the tone of the music. If the
point of this electric redux is to give the familiar music a fresh
new sound, the occasional recreations of vocals like the singing
in FRANKENSTEIN MEETS THE WOLF MAN and ZORRO'S
FIGHTING LEGION as well as spoken word like the high priest
on THE MUMMY'S HAND track, remind us too much of the
original films and seems in conflict with the feel of the new instrumentation.
These
days there are many fine CDs available for fans of classic horror
films. Excellent recordings of music by great film composers like
Salter, Skinner, Waxman, Steiner, Herrmann, etc. now abound that
yesterday's horror fans could only dream of owning. Monster Kids
everywhere owe a particular debt of gratitude to the Marco Polo
CD label and especially, orchestrator John Morgan and conductor
William T. Stromberg for their marvelous recordings of music from
several classic horror film scores such as HOUSE OF FRANKENSTEIN,
GHOST OF FRANKENSTEIN, THE WOLF MAN, KING KONG, SON OF KONG
and others. Most fans seem to prefer hearing film music performed
as close to the original versions as possible. I generally agree
with that thinking. If my music collection was on fire and I could
only save one CD... well, it probably wouldn't be MONSTERS
AND HEROES. I'd grab one of the Salter & Skinners CDs, or
Silva's BRIDE OF FRANKENSTEIN or David Schecter's
MONSTROUS MOVIE MUSIC CDs, or any number of others
priceless items in my CD rack. But as long as all of my classic
horror music CDs are safe and sound, I certainly want Zip Caplan's
MONSTERS AND HEROES among them. The electrified approach
to this music may not be to every fan's taste, but I found it an
enjoyable change of pace done with obvious reverence and affection
for the movies and bigger than life characters that many a Monster
Kid grew up with. This was obviously a very personal project for
Caplan and his love for the subject comes across in every note.
And for $15 postpaid, it's one of the best bargains in monsterdom.
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MONSTERS
AND HEROES can be ordered from the official Zip Caplan website
www.zipcaplan.com:
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